摘錄
And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting。It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:
17 年后,我真的進了大學。當時我很天真,選了一所學費幾乎和斯坦福大學一樣昂貴的學校,當工人的養父母傾其所有的積蓄為我支付了大學學費。讀了六個月后,我卻看不出上學有什么意義。我既不知道自己這一生想干什么,也不知道大學是否能夠幫我弄明白自己想干什么。這時,我就要花光父母一輩子節省下來的錢了。所以,我決定退學,并且堅信日后會證明我這樣做是對的。當年做出這個決定時心里直打鼓,但現在回想起來,這還真是我有生以來做出的最好的決定之一。從退學那一刻起,我就可以不再選那些我毫無興趣的必修課,開始旁聽一些看上去有意思的課。那些日子一點兒都不浪漫。我沒有宿舍,只能睡在朋友房間的地板上。我去退還可樂瓶,用那五分錢的押金來買吃的。每個星期天晚上我都要走七英里,到城那頭的黑爾-科里施納禮拜堂去,吃每周才能享用一次的美餐。我喜歡這樣。我憑著好奇心和直覺所干的這些事情,有許多后來都證明是無價之寶。我給大家舉個例子:
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
當時,里德學院的書法課大概是全國最好的。校園里所有的公告欄和每個抽屜標簽上的字都寫得非常漂亮。當時我已經退學,不用正常上課,所以我決定選一門書法課,學學怎么寫好字。我學習寫帶短截線和不帶短截線的印刷字體,根據不同字母組合調整其間距,以及怎樣把版式調整得好上加好。這門課太棒了,既有歷史價值,又有藝術造詣,這一點科學就做不到,而我覺得它妙不可言。
None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
當時我并不指望書法在以后的生活中能有什么實用價值。但是,十年之后,我們在設計第一臺 Macintosh 計算機時,它一下子浮現在我眼前。于是,我們把這些東西全都設計進了計算機中。這是第一臺有這么漂亮的文字版式的計算機。要不是我當初在大學里偶然選了這么一門課,Macintosh 計算機絕不會有那么多種印刷字體或間距安排合理的字號。要不是 Windows 照搬了 Macintosh,個人電腦可能不會有這些字體和字號。要不是退了學,我決不會碰巧選了這門書法課,個人電腦也可能不會有現在這些漂亮的版式了。當然,我在大學里不可能從這一點上看到它與將來的關系。十年之后再回頭看,兩者之間的關系就非常、非常清楚了。
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
你們同樣不可能從現在這個點上看到將來;只有回頭看時,才會發現它們之間的關系。所以,要相信這些點遲早會連接到一起。你們必須信賴某些東西─直覺、歸宿、生命,還有業力,等等。這樣做從來沒有讓我的希望落空過,而且還徹底改變了我的生活。